I made several apoplectic efforts to rise, but the servant was on top of me so heavily that Greenwood could afford to leave me to him. He turned quickly to come to reinforce the two who were mastering Basil. The latter's head was already sinking lower and lower, like a leaking ship, as his enemies pressed him down. He flung up one hand just as I thought him falling and hung on to a huge tome in the bookcase, a volume, I afterwards discovered, of St Chrysostom's theology. Just as Greenwood bounded across the room towards the group, Basil plucked the ponderous tome bodily out of the shelf, swung it, and sent it spinning through the air, so that it struck Greenwood flat in the face and knocked him over like a rolling ninepin.
Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.
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