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C.S. Lewis

C.S. Lewis


Clive Staples Lewis was born in Ireland, in Belfast on 29 November 1898. His mother was a devout Christian and made efforts to influence his beliefs. When she died in his early youth her influence waned and Lewis was subject to the musings and mutterings of his friends who were decidedly agnostic and atheistic. It would not be until later, in a moment of clear rationality that he first came to a belief in God and later became a Christian.

C. S. Lewis volunteered for the army in 1917 and was wounded in the trenches in World War I. After the war, he attended university at Oxford. Soon, he found himself on the faculty of Magdalen College where he taught Mediaeval and Renaissance English.

Throughout his academic career he wrote clearly on the topic of religion. His most famous works include the Screwtape Letters and the Chronicles of Narnia. The atmosphere at Oxford and Cambridge tended to skepticism. Lewis used this skepticism as a foil. He intelligently saw Christianity as a necessary fact that could be seen clearly in science.

"Surprised by Joy" is Lewis's autobiography chronicling his reluctant conversion from atheism to Christianity in 1931.
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To love and admire anything outside yourself is to take one step away from utter spiritual ruin
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I am not sure that the best way to make a boy love the English poets might not be forbid him to read them and then make sure that he had plenty of opportunities to disobey you.
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Both Heaven and Hell are retroactive, all of one's life will eventually be known to have been one or the other.
topics: destiny , heaven , hell  
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The bells gave tongue: Gaude, Sabaoth, John, Jericho, Jubilee, Dimity, Batty Thomas and Tailor Paul, rioting and exulting high up in the dark tower, wide mouths rising and falling, brazen tongues clamouring, huge wheels turning to the dance of the leaping ropes. Tin tan din dan bim bam bom bo--tan tin din dan bam bim bo bom--tan dan tin bam din bo bim bom--every bell in her place striking tuneably, hunting up, hunting down, dodging, snapping, laying her blows behind, making her thirds and fourths, working down to lead the dance again. Out over the flat, white wastes of fen, over the spear-straight, steel-dark dykes and the wind-bent, groaning poplar trees, bursting from the snow-choked louvres of the belfry, whirled away southward and westward in gusty blasts of clamour to the sleeping counties went the music of the bells--little Gaude, silver Sabaoth, strong John and Jericho, glad Jubilee, sweet Dimity and old Batty Thomas, with great Tailor Paul bawling and striding like a giant in the midst of them. Up and down went the shadows of the ringers upon the walls, up and down went the scarlet sallies flickering roofwards and floorwards, and up and down, hunting in their courses, went the bells of Fenchurch St. Paul.
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Having said that the unliterary reader attends to the words too little to make anything like a full use of them, I must notice that there is another sort of reader who attends to them far too much and in the wrong way. I am thinking of what I call Stylemongers. On taking up a book, these people concentrate on what they call its ‘style’ or its ‘English’. They judge this neither by its sound nor by its power to communicate but by its conformity to certain arbitrary rules. Their reading is a perpetual witch hunt for Americanisms, Gallicisms, split infinitives, and sentences that end with a preposition. They do not inquire whether the Americanism or Gallicism in question increases or impoverishes the expressiveness of our language. It is nothing to them that the best English speakers and writers have been ending sentences with prepositions for over a thousand years. They are full of arbitrary dislikes for particular words. One is ‘a word they’ve always hated’; another ‘always makes them think of so-and-so’. This is too common, and that too rare. Such people are of all men least qualified to have any opinion about a style at all; for the only two tests that are really relevant—the degree in which it is (as Dryden would say) ‘sounding and significant’—are the two they never apply. They judge the instrument by anything rather than its power to do the work it was made for; treat language as something that ‘is’ but does not ‘mean’; criticise the lens after looking at it instead of through it.
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Once you were a child. Once you knew what inquiry was for. There was a time when you asked questions because you wanted answers, and were glad when you had found them. Become that child again: even now.
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The ideas that the whole human race is, in a sense, one thing- one huge organism, like a tree-must not be confused with the idea that individual difference is not important or that real people, Tom and Nobby and Kate, are some how less important than collective things like classes, races and so forth. Indeed the two ideas are opposites. Things which are parts of a single organism may be very different form one another: things which are not, may be very alike. Six pennies are quite separate and very alike: my nose and my lungs are very different but they are only alive at all because they are parts of my body and share its common life. Christianity thinks of individuals not as mere members of a group or items in a list, but as organs in a body- different from one another and each contributing what no other could.
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The human mind has no more power of inventing a new value than of imagining a new primary colour,or, indeed, of creating a new sun and a new sky for it to move in.
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When all that says ‘it is good’ has been debunked, what says ‘I want’ remains.
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Nothing can seem extraordinary until you have discovered what is ordinary. Belief in miracles, far from depending on an ignorance of the laws of nature, is only possible in so far as those laws are known.
C.S. Lewis , 

from Miracles

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Take care. It is so easy to break eggs without making omelettes.
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Why have your followers all drawn their swords, may I ask?" said Aslan. "May it please Your High Majesty," said the second Mouse, whose name was Peepiceek, "we are all waiting to cut off our own tails if our Chief must go without his. We will not bear the shame of wearing an honor which is denied to the High Mouse." "Ah!" roared Aslan. "You have conquered me. You have great hearts. Not for the sake of your dignity, Reepicheep, but for the love that is between you and your people, and still more for the kindness your people showed me long ago when you ate away the cords that bound me on the Stone Table (and it was then, though you have long forgotten it, that you began to be Talking Mice), you shall have your tail again.
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No more I do, your Majesty. But what's that got to do with it? I might as well die on a wild goose chase as die here.
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This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.
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Satan always sends error into the world in pairs that are opposites. His great hope is that you will get so upset about one of his errors, that you'll react into the opposite one, and he's got you.
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We all have different languages; but we all really mean the same thing.
topics: humorous  
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This is the courtesy of Deep Heaven: that when you mean well, He always takes you to have meant better than you knew. It will not be enough for always. He is very jealous. He will have you for no one but Himself in the end. But for tonight, it is enough.
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There was no sudden, striking, and emotional transition. Like the warming of a room or the coming of daylight. When you first notice them they have already been going on for some time.
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if anyone present wishes to make me the subject of his wit, I am very much at his service--with my sword--whenever he has leisure.
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Nothing in Man is either worse or better for being shared with the beasts.
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