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Fyodor Dostoevsky

Fyodor Dostoevsky


Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.

Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."

His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.
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From an encounter in 1862... “Dickens told me,” Dostoyevsky recalled in a letter written years later, “that all the good, simple people in his novels . . . are what he wanted to have been, and his villains were what he was (or rather, what he found in himself), his cruelty, his attacks of causeless enmity towards those who were helpless and looked to him for comfort, his shrinking from those whom he ought to love. . . . There were two people in him, he told me: one who feels as he ought to feel and one who feels the opposite. From the one who feels the opposite I make my evil characters, from the one who feels as a man ought to feel, I try to live my life.
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I tell Thee that man is tormented by no greater anxiety than to find some one quickly to whom he can hand over that gift of freedom with which the ill-fated creature is born.
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So long as man remains free he strives for nothing so incessantly and so painfully as to find some one to worship.
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you give me much more of your sass I'll take and bounce a rock off'n your head.
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For, having begun to build their Tower of Babel without us, they will end in anthropophagy. And it is then that the beast will come crawling to us and lick our feet and spatter them with tears of blood from its eyes. And we shall sit upon the beast and raise the cup, and on it will be written: "Mystery!
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No, if you want to punish him terribly, fearfully, with the most horrible punishment imaginable, but so as to save and restore his soul forever—then overwhelm him with your mercy!
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¿Por qué no nos tratamos unos a otros como hermanos? ¿Por qué hasta el hombre más bueno disimula y calla en presencia de otro? ¿Por qué no decir sin rodeos lo que tiene uno en el corazón, inmediatamente, cuando sabe uno que su palabra no se la llevará el viento? ¿Por qué parecer más adusto de lo que uno es en realidad? Es como si cada cual temiera violentar los propios sentimientos si los expresa libremente. —Noches blancas, Dostoievski—
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the Lord vanquished the devil in my heart.
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Stepan Arkadyevitch was a truthful man in his relations with himself. He was incapable of deceiving himself and persuading himself that he repented of his conduct. He could not at this date repent of the fact that he, a handsome, susceptible man of thirty-four, was not in love with his wife, the mother of five living and two dead children, and only a year younger than himself. All he repented of was that he had not succeeded better in hiding it from his wife. But he felt all the difficulty of his position and was sorry for his wife, his children, and himself. Possibly he might have managed to conceal his sins better from his wife if he had anticipated that the knowledge of them would have had such an effect on her.
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Oh, I know, I know that heart, it is a wild but noble heart, gentlemen of the jury. It will bow down before your deed, it thirsts for a great act of love, it will catch fire and resurrect forever. There are souls that in their narrowness blame the whole world. But overwhelm such a soul with mercy, give it love, and it will curse what it has done, for there are so many germs of good in it. The soul will expand and behold how merciful God is, and how beautiful and just people are. He will be horrified, he will be overwhelmed with repentance and the countless debt he must henceforth repay. And then he will not say, ‘I am quits,’ but will say, ‘I am guilty before all people and am the least worthy of all people.’ In tears of repentance and burning, suffering tenderness he will exclaim: ‘People are better than I, for they wished not to ruin but to save me!
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Et Emma cherchait à savoir ce que l’on entendait au juste dans la vie par les mots de félicité, de passion et d’ivresse, qui lui avaient paru si beaux dans les livres.
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Yes, I was kind, brave, and honest then.
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Beauty is a terrible and awful thing! It is terrible because it has not been fathomed and will never be fathomed…
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I want to travel in Europe, Alyosha, I shall set off from here. And yet I know that I am only going to a graveyard, but it's a most precious graveyard, that's what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I'm convinced in my heart that it's long been nothing but a graveyard.
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For even those who have renounced Christianity and attack it still follow the Christian ideal.
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With love everything is bought, everything is saved. If even I, a sinful man, just like you, was moved to tenderness and felt pity for you, how much more will God be. Love is such a priceless treasure that you can buy the whole world with it, and redeem not only your own but other people's sins.
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He looked at her as a man looks at a faded flower he has gathered, with difficulty recognizing in it the beauty for which he picked and ruined it.
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Believe to the end, even if all men went astray and you were left the only one faithful; bring your offering even then and praise God in your loneliness. And if two of you are gathered together - then there is a whole world, a world of living love. Embrace each other tenderly and praise God, for if only in you two His truth has been fulfilled.
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I maintain that he is in his right mind, and that if he had not been, he would have behaved more cleverly.
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He came softly, unobserved, and yet, strange to say, every one recognized Him. That might be one of the best passages in the poem. I mean, why they recognized Him. The people are irresistibly drawn to Him, they surround Him, they flock about Him, follow Him. He moves silently in their midst with a gentle smile of infinite compassion. The sun of love burns in His heart, light and power shine from His eyes, and their radiance, shed on the people, stirs their hearts with responsive love. He holds out His hands to them, blesses them, and a healing virtue comes from contact with Him, even with His garments. An old man in the crowd, blind from childhood, cries out, ‘O Lord, heal me and I shall see Thee!’ and, as it were, scales fall from his eyes and the blind man sees Him. The crowd weeps and kisses the earth under His feet. Children throw flowers before Him, sing, and cry hosannah. ‘It is He—it is He!’ all repeat. ‘It must be He, it can be no one but Him!’ He stops at the steps of the Seville cathedral at the moment when the weeping mourners are bringing in a little open white coffin. In it lies a child of seven, the only daughter of a prominent citizen. The dead child lies hidden in flowers. ‘He will raise your child,’ the crowd shouts to the weeping mother. The priest, coming to meet the coffin, looks perplexed, and frowns, but the mother of the dead child throws herself at His feet with a wail. ‘If it is Thou, raise my child!’ she cries, holding out her hands to Him. The procession halts, the coffin is laid on the steps at His feet. He looks with compassion, and His lips once more softly pronounce, ‘Maiden, arise!’ and the maiden arises. The little girl sits up in the coffin and looks round, smiling with wide-open wondering eyes, holding a bunch of white roses they had put in her hand.
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