Inspirational Quotes by Fyodor Dostoevsky
“God has had pity on me and is calling me to Himself. I know I am dying, but I feel joy and peace for the first time after so many years. There was heaven in my heart from the moment I had done what I had to do. Now I dare to love my children and to kiss them. Neither my wife nor the judges, nor anyone has believed it. My children will never believe it either. I see in that God’s mercy to them. I shall die, and my name will be without a stain for them. And now I feel God near, my heart rejoices as in Heaven… I have done my duty.”
“He could not endure without mortification, without resentment even, that the holiest of holy men should have been exposed to the jeering and spiteful mockery of the frivolous crowd so inferior to him.”
“I am sorry I can say nothing more consoling to you, for love in action is a harsh and dreadful thing compared with love in dreams. Love in dreams is greedy for immediate action, rapidly performed and in the sight of all. Men will even give their lives if only the ordeal does not last long but is soon over, with all looking on and applauding as though on the stage. But active love is labour and fortitude, and for some people too, perhaps, a complete science.”
“She had been trembling and fainting with terror almost every day, afraid he would fall ill, would catch cold, do something naughty, climb on a chair and fall off it, and so on and so on. When Kolya began going to school, the mother devoted herself to studying all the sciences with him so as to help him, and go through his lessons with him.”
“Ferească Dumnezeu să te întâlnești cu ruși în străinătate, e o rușine!”
“How nicely Turovtsin laughs!" said Levin, admiring his moist eyes and shaking chest.”
“that day, at that hour, there took place in her heart a complete severance from all her old life, and a quite different, new, utterly strange life had begun for her,”
“Anna Arkadyevna read and understood, but it was unpleasant for her to read, that is, to follow the reflection of other people’s lives. She wanted too much to live herself.”
“But the time has come to realize that I can no longer deceive myself, that I am alive, that I am not to blame, and that God created me as a person who needs to love and to live.”
“I work, I want to do something, but I had forgotten it must all end; I had forgotten-death.”
“I do value my idea and my work awfully; but in reality only consider this: all this world of ours is nothing but a speck of mildew, which has grown up on a tiny planet. And for us to suppose we can have something great—ideas, work—it's all dust and ashes.”
“Is he aiming at doing anything, or simply undoing what's been done? It's the great misfortune of our government—this paper administration, of which he's a worthy representative.”
“Oblonsy was fond of a pleasant joke, and sometimes liked to perplex a simple-minded man by observing that if you're going to be proud of your ancestry, why stop short at Prince Rurik and repudiate your oldest ancestor - the ape?”
“The longer Levin mowed, the more often he felt those moments of oblivion during which it was no longer his arms that swung the scythe, but the scythe itself that lent motion to his whole body, full of life and conscious of itself, and, as if by magic, without a thought of it, the work got rightly and neatly done on its own. These were the most blissful moments.”
“The danger lies not in the imaginary hydra of revolution, but in a stubborn traditionalism that impedes progress.”
“Vrònskij andò nella vettura dietro al capotreno e all'entrata dello scompartimento si fermò, per lasciare il passo a una signora che usciva. Col tatto abituale dell'uomo di mondo, da una sola occhiata all'aspetto esteriore di questa signora Vrònskij giudicò in modo certo ch'ella apparteneva all'alta società. Egli si scusò e stava per andare nella vettura, ma provò la necessità di guardarla ancora una volta, non perché ella fosse molto bella, non per quell'eleganza e quella grazia modesta che si vedevano in tutta la sua persona, ma perché nell'espressione del volto leggiardo, quand'ella gli era passata vicino, c'era qualcosa di particolarmente carezzevole e tenero. Quand'egli si volse a guardarla, ella pure voltò il capo. I scintillanti occhi grigi, che sembravan neri per le ciglia folte, si fermarono amichevolmente, con attenzione sul volto di lui, come se ella lo riconoscesse, e immediatamente si portarono sulla folla che passava, come cercando qualcuno. Vrònskij fece a tempo a notare l'animazione rattenuta che balenava sul volto di lei e svolazzava fra gli occhi scintillanti e il sorriso appena percettibile, che incurvava le sue labbra vermiglie. Come se un'abbondanza di qualcosa colmasse talmente il suo essere, da esprimersi all'infuori della sua volontà ora nello scintillio dello sguardo, ora nel sorriso. Ella aveva spento deliberatamente quella luce nei suoi occhi, ma essa splendeva suo malgrado nel sorriso appena percettibile.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.