“She saw that they felt themselves alone in that crowded room. And Vronsky’s face, always so firm and independent, held that look that had struck her, of bewilderment and humble submissiveness, like the expression of an intelligent dog when it has done wrong. Anna smiled, and her smile was reflected by him. She grew thoughtful, and he became serious. Some supernatural force drew Kitty’s eyes to Anna’s face. She was enchanting in her simple black dress, enchanting were her round arms with their bracelets, enchanting was her firm neck with its thread of pearls, fascinating the straying curls of her loose hair, enchanting the graceful, light movements of her little feet and hands, enchanting was that lovely face in its animation, but there was something terrible and cruel about her charm.”
Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.