“Boxer, feeling that his attentions were due to the family in general, and must be impartially distributed, dashed in and out with bewildering inconstancy; now, describing a circle of short barks round the horse, where he was being rubbed down at the stable-door; now feigning to make savage rushes at his mistress, and facetiously bringing himself to sudden stops; now, eliciting a shriek from Tilly Slowboy, in the low nursing-chair near the fire, by the unexpected application of his moist nose to her countenance; now, exhibiting an obtrusive interest in the baby; now, going round and round upon the hearth, and lying down as if he had established himself for the night; now, getting up again, and taking that nothing of a fag-end of a tail of his, out into the weather, as if he had just remembered an appointment, and was off, at a round trot, to keep it.”
Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.