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G.K. Chesterton

G.K. Chesterton


Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.

Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.
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throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was
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The clocks are on the stroke of three, and the furrow ploughed among the populace is turning round, to come on into the place of execution, and end. The ridges thrown to this side and to that, now crumble in and close behind the last plough as it passes on, for all are following to the Guillotine. In front of it, seated in chairs, as in a garden of public diversion, are a number of women, busily knitting. On one of the fore-most chairs, stands The Vengeance, looking about for her friend.
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No faltaban señales de lo que hacia pobres a aquella gente desgraciada: los impuestos del Estado, los diezmos para la iglesia, los impuestos para el señor, los impuestos locales y generales, habían de ser pagados sin remedio, de acuerdo con un cartel fijado en el pueblo de modo visible, y lo que más raro parecía es con todos esos impuestos estuviera el pueblecillo todavía en pie.
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way [...]
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at that favoured period, as at this. Mrs. Southcott had recently attained her five-and-twentieth blessed birthday, of whom a prophetic private in the Life Guards
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She never missed before," says a knitting-woman of the sisterhood. "No; nor will she miss now," cries The Vengeance, petulantly. "Therese." "Louder," the woman recommends.
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earthly order of events had lately come to the English Crown and People, from a congress of British subjects in America: which, strange to relate, have proved more important
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of him; spectators in back rows stood up, not to miss a hair of him; people on the floor of the court, laid their hands on the shoulders of the people before them, to help themselves, at anybody's cost, to a view of him—
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mind will express itself through any covering of the body, so the paleness which his situation engendered came through the brown upon his cheek, showing the soul to be stronger than the sun. He was otherwise quite self-possessed, bowed to the Judge, and stood
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So Edith’s mother lies unmentioned of her dear friends, who are deaf to the waves that are hoarse with repetition of their mystery, and blind to the dust that is piled upon the shore, and to the white arms that are beckoning, in the moonlight, to the invisible country far away. But all goes on, as it was wont, upon the margin of the unknown sea; and Edith standing there alone, and listening to its waves, has dank weed cast up at her feet, to strew her path in life withal.
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until I almost thought he would gradually blow his whole being into the large hole at the top, and ooze away at the keys.
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May the day of my birth perish. May it turn to darkness. May God above not care about it. May no light shine on it. May gloom and utter darkness claim it once more. May a cloud settle over it. May blackness overwhelm it. May thick darkness seize it. May it not be included among the days of the year nor be entered in any of the months. May that night be barren. May no shout of joy be heard in it. May those who curse days curse that day. May its morning stars become dark. May it wait for daylight in vain and not see the first rays of dawn, for it did not shut the doors of the womb on me to hide trouble from my eyes. Why did I not perish at birth, and die as I came from the womb? Why were there knees to receive me and breasts that I might be nursed? For now I would be lying down in peace; I would be asleep and at rest. Why is light given to those in misery, and life to the bitter of soul, to those who long for death that does not come, who search for it more than for hidden treasure, who are filled with gladness and rejoice when they reach the grave? For sighing has become my daily food; my groans pour out like water.What I feared has come upon me; what I dreaded has happened to me.I have no peace, no quietness; I have no rest, but only turmoil.
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Cadogan Place is the one slight bond that joins two great extremes; it is the connecting link between the aristocratic pavements of Belgrave Square, and the barbarism of Chelsea.
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Mrs. Varden was a lady of what is commonly called an uncertain temper - a phrase which being interpreted signifies a temper tolerably certain to make everybody more or less uncomfortable. Thus it generally happened, that when other people were merry, Mrs. Varden was dull; and that when other people were dull, Mrs. Varden was disposed to be amazingly cheerful. Indeed the worthy housewife was of such a capricious nature, that she not only attained a higher pitch of genius than Macbeth, in respect of her ability to be wise, amazed, temperate and furious, loyal and neutral in an instant, but would sometimes ring the changes backwards and forwards on all possible moods and flights in one short quarter of an hour; performing, as it were, a kind of triple bob major on the peal of instruments in the female belfry, with a skilfulness and rapidity of execution that astonished all who heard her.
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lived principally on Dora and coffee. In my love-lorn condition, my appetite languished; and I was glad of it, for I felt as though it would have been an act of perfidy towards Dora to have a natural relish for my dinner.
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Whenever she was particularly discomposed, she always performed one of these pedestrian feats; and the amount of her discomposure might always be estimated by the duration of her walk.
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Who is Mr. Jasper?" Rosa turned aside her head in answering: "Eddy's uncle, and my music-master." "You do not love him?" "Ugh!" She put her hands up to her face, and shook with fear or horror. "You know that he loves you?" "O, don't, don't, don't!" cried Rosa, dropping on her knees, and clinging to her new resource. "Don't tell me of it! He terrifies me. He haunts my thoughts, like a dreadful ghost. I feel that I am never safe from him. I feel as if he could pass in through the wall when he is spoken of." She actually did look round, as if she dreaded to see him standing in the shadow behind her. "Try to tell me more about it, darling." "Yes, I will, I will. Because you are so strong. But hold me the while, and stay with me afterwards." "My child! You speak as if he had threatened you in some dark way." "He has never spoken to me about - that. Never." "What has he done?" "He has made a slave of me with his looks. He has forced me to understand him, without his saying a word; and he has forced me to keep silence, without his uttering a threat. When I play, he never moves his eyes from my hands. When I sing, he never moves his eyes from my lips. When he corrects me, and strikes a note, or a chord, or plays a passage, he himself is in the sounds, whispering that he pursues me as a lover, and commanding me to keep his secret. I avoid his eyes, but he forces me to see them without looking at them. Even when a glaze comes over them (which is sometimes the case), and he seems to wander away into a frightful sort of dream in which he threatens most, he obliges me to know it, and to know that he is sitting close at my side, more terrible to me than ever." "What is this imagined threatening, pretty one? What is threatened?" "I don't know. I have never even dared to think or wonder what it is." "And was this all, to-night?" "This was all; except that to-night when he watched my lips so closely as I was singing, besides feeling terrified I felt ashamed and passionately hurt. It was as if he kissed me, and I couldn't bear it, but cried out. You must never breathe this to any one. Eddy is devoted to him. But you said to-night that you would not be afraid of him, under any circumstances, and that gives me - who am so much afraid of him - courage to tell only you. Hold me! Stay with me! I am too frightened to be left by myself.
topics: fear , love  
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When you have 50 Tale City books, burn them all and go to jail with me.
topics: jail-time  
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Young John was some time absent, and, when he came back, showed that he had been outside by bringing with him fresh butter in a cabbage leaf, some thin slices of boiled ham in another cabbage leaf, and a little basket of water-cresses and salad herbs. When these were arranged upon the table to his satisfaction, they sat down to tea.
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There have been occasions in my later life (I suppose as in most lives) when I have felt for a time as if a thick curtain had fallen on all its interest and romance, to shut me out from anything save dull endurance any more.
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