Inspirational Quotes by G.K. Chesterton
“one of those unselfish creatures—found only among women—who will, for pure love and admiration, bind themselves willing slaves, to youth when they have lost it, to beauty that they never had, to accomplishments that they were never fortunate enough to gain, to bright hopes that never shone upon their own sombre lives.”
“Let us hope so," said the uncle. "Detestation of the high is the involuntary homage of the low." "There”
“obedient to the whip, as long as this roof," looking up to it, "shuts out the sky." That”
“I believe the power of observation in numbers of very young children to be quite wonderful for its closeness and accuracy. Indeed,”
“I have said that Caleb and his poor Blind Daughter lived here. I should have said that Caleb lived here, and his poor Blind Daughter somewhere else - in an enchanted home of Caleb’s furnishing, where scarcity and shabbiness were not, and trouble never entered. Caleb was no sorcerer, but in the only magic art that still remains to us, the magic of devoted, deathless love, Nature had been the mistress of his study; and from her teaching, all the wonder came.”
“And all was Caleb’s doing; all the doing of her simple father! But he too had a Cricket on his Hearth; and listening sadly to its music when the motherless Blind Child was very young, that Spirit had inspired him with the thought that even her great deprivation might be almost changed into a blessing, and the girl made happy by these little means. For all the Cricket tribe are potent Spirits, even though the people who hold converse with them do not know it (which is frequently the case); and there are not in the unseen world, voices more gentle and more true, that may be so implicitly relied on, or that are so certain to give none but tenderest counsel, as the Voices in which the Spirits of the Fireside and the Hearth address themselves to human kind.”
“There is danger there—a very real danger to humanity. Consider, Watson, that the material, the sensual, the worldly would all prolong their worthless lives. The spiritual would not avoid the call to something higher. It would be the survival of the least fit. What sort of cesspool may not our poor world become?”
“Our official detectives may blunder in the matter of intelligence, but never in that of courage. Gregson climbed the stair to arrest this desperate murderer with the same absolutely quiet and businesslike bearing with which he would have ascended the official staircase of Scotland Yard. The Pinkerton man had tried to push past him, but Gregson had firmly elbowed him back. London dangers were the privilege of the London force.”
“process," said I, "starts upon the supposition that when you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth. It may well be that several explanations remain, in which case one tries test after test until one or other of them has a convincing amount of support.”
“In this great stretch of country there is no sign of life, nor of anything appertaining to life. There is no bird in the steel-blue heaven, no movement upon the dull, grey earth—above all, there is absolute silence. Listen as one may, there is no shadow of a sound in all that mighty wilderness; nothing but silence—complete and heart-subduing silence.”
“Lord love you, sir,' he added, 'they're so fond of Liberty in this part of the globe, that they buy her and sell her and carry her to market with 'em. They've such a passion for Liberty, that they can't help taking liberties with her. That's what it's owing to.”
“...böyle zavallı düşlere dudak büküp geçse de ben Estella'yı bunca yıldır canımdan çok sevmiştim. Gerçi onu kaybetmiştim, ellerim böğrümde onsuz yaşamaya yargılıydım, gene de onunla ilgili olan her bilgi benim için dünyada her şeyden daha önemli, her şeyden daha değerliydi.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.