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G.K. Chesterton

G.K. Chesterton


Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.

Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.
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mystery
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Our official detectives may blunder in the matter of intelligence, but never in that of courage. Gregson climbed the stair to arrest this desperate murderer with the same absolutely quiet and businesslike bearing with which he would have ascended the official staircase of Scotland Yard. The Pinkerton man had tried to push past him, but Gregson had firmly elbowed him back. London dangers were the privilege of the London force.
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process," said I, "starts upon the supposition that when you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth. It may well be that several explanations remain, in which case one tries test after test until one or other of them has a convincing amount of support.
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Transylvania.
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In this great stretch of country there is no sign of life, nor of anything appertaining to life. There is no bird in the steel-blue heaven, no movement upon the dull, grey earth—above all, there is absolute silence. Listen as one may, there is no shadow of a sound in all that mighty wilderness; nothing but silence—complete and heart-subduing silence.
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Lord love you, sir,' he added, 'they're so fond of Liberty in this part of the globe, that they buy her and sell her and carry her to market with 'em. They've such a passion for Liberty, that they can't help taking liberties with her. That's what it's owing to.
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but once a month, or even once a year, of him, or any one who ever wronged you, you would forgive him in your heart, I know!
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when this original intellectual deduction is confirmed point by point by quite a number of independent incidents, then the subjective becomes objective and
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Martin put his hands in his pockets and whistled when he had retorted on the driver; thus giving him to understand that he didn't care a pin for Fortune; that he was above pretending to be her favourite when he was not; and that he snapped his fingers at her, the driver, and everybody else.
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My mind is like a crowded box-room with packets of all sorts stowed away therein—so many that I may well have but a vague perception of what was there.
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HE was the one for musical talents. He WAS a guard. What you may call a Guard'an Angel, was Ned.' 'Is he dead?' asked Martin. 'Dead!' replied the other, with a contemptuous emphasis. 'Not he. You won't catch Ned a-dying easy. No, no. He knows better than that.' 'You spoke of him in the past tense,' observed Martin, 'so I supposed he was no more. 'He's no more in England,' said Bill, 'if that's what you mean. He went to the U-nited States.
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Let us see if there is justice upon the earth, or if we are ruled by chance.
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APPENDIX A PREFACE TO THE CHEAP EDITION (1858)
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It’s a devil of a thing, gentlemen,’ said Mr Swiveller, ‘when relations fall out and disagree. If the wing of friendship should never moult a feather, the wing of relationship should never be clipped, but be always expanded and serene. Why should a grandson and grandfather peg away at each other with mutual wiolence when all might be bliss and concord. Why not jine hands and forgit it?
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This is invariable. It would seem as if there never was a book written, or a story told, expressly with the object of keeping boys on shore, which did not lure and charm them to the ocean, as a matter of course.
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than anybody else. 'My dear Paul,' that
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The several duties of instruction in this establishment were thus discharged. English grammar, composition, geography, and the use of the dumb-bells, by Miss Melissa Wackles; writing, arithmetic, dancing, music, and general fascination, by Miss Sophia Wackles; the art of needle-work, marking, and samplery, by Miss Jane Wackles; corporal punishment, fasting, and other tortures and terrors, by Mrs Wackles.
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these old people—there’s no trusting them, Fred. There’s an aunt of mind down in Dorsetshire that was going to die when I was eight years old, and hasn’t kept her word yet. They’re so aggravating, so unprincipled, so spiteful—unless there’s apoplexy in the family, Fred, you can’t calculate upon ‘em, and even then they deceive you just as often as not.
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Out of my thoughts!You are part of my existence,part of myself,you have been in every line I have ever read.
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those questions at sufficient length. If a dread of not being understood be hidden in the breasts of other young people to anything like the extent to which it used to be hidden in mine,—which I consider probable, as I have no particular reason to suspect myself of having been a monstrosity,—it is the key to many reservations. I felt convinced that if I described Miss Havisham’s as my eyes had seen it, I should not be understood.
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