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G.K. Chesterton

G.K. Chesterton


Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.

Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.
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How can we say that the Church wishes to bring us back into the Dark Ages? The Church was the only thing that ever brought us out of them.
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We do not want joy and anger to neutralize each other and produce a surly contentment; we want a fiercer delight and a fiercer discontent. We have to feel the universe at once as an ogre's castle, to be stormed, and yet as our own cottage, to which we can return to at evening.
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The real trouble with this world of ours is not that it is an unreasonable world, nor even that it is a reasonable one. The commonest kind of trouble is that it is nearly reasonable, but not quite. Life is not an illogicality; yet it is a trap for logicians. It looks just a little more mathematical and regular than it is; its exactitude is obvious, but its inexactitude is hidden; its wildness lies in wait.
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We do not admire, we hardly excuse, the fanatic who wrecks this world for love of the other. But what are we to say of the fanatic who wrecks this world out of hatred of the other? He sacrifices the very existence of humanity to the non-existence of God. He offers his victims not to the altar, but merely to assert the idleness of the altar and the emptiness of the throne. He is ready to ruin even that primary ethic by which all things live, for his strange and eternal vengeance upon some one who never lived at all.
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I believe what really happens in history is this: the old man is always wrong; and the young people are always wrong about what is wrong with him. The practical form it takes is this: that, while the old man may stand by some stupid custom, the young man always attacks it with some theory that turns out to be equally stupid.
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He had been educated in no habits of application and concentration. The system which had addressed him in exactly the same manner as it had addressed hundreds of other boys, all varying in character and capacity, had enabled him to dash through his tasks, always with fair credit and often with distinction, but in a fitful, dazzling way that had confirmed his reliance on those very qualities in himself which it had been most desirable to direct and train. They were good qualities, without which no high place can be meritoriously won, but like fire and water, though excellent servants, they were very bad masters. If they had been under Richard’s direction, they would have been his friends; but Richard being under their direction, they became his enemies.
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A man's minor actions and arrangements ought to be free, flexible, creative; the things that should be unchangeable are his principles, his ideals. But with us the reverse is true; our views change constantly; but our lunch does not change. Now, I should like men to have strong and rooted conceptions, but as for their lunch, let them have it sometimes in the garden, sometimes in bed, sometimes on the roof, sometimes in the top of a tree. Let them argue from the same first principles, but let them do it in a bed, or a boat, or a balloon.
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I’ve searched all the parks in all the cities and found no statues of committees.
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Christmas a humbug, uncle!" said Scrooge's nephew. "You don't mean that, I am sure?" "I do," said Scrooge. "Merry Christmas! What right have you to be merry? what reason have you to be merry? You're poor enough.
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We think the feelings that are very serious in a man quite comical in a boy.
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It's a bad job," he said, when I had done; "but the sun sets every day, and people die every minute, and we mustn't be scared by the common lot. If we failed to hold our own, because that equal foot at all men's doors was heard knocking somewhere, every object in this world would slip from us. No! Ride on! Rough-shod if need be, smooth-shod if that will do, but ride on! Ride on over all obstacles, and win the race!
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All was over in a moment. I had fulfilled my destiny. I was a captive and a slave. I loved Dora Spenlow to distraction! She was more than human to me. She was a Fairy, a Sylph, I don't know what she was - anything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink; no looking down, or looking back; I was gone, headlong, before I had sense to say a word to her.
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There fared a mother driven forth Out of an inn to roam; In the place where she was homeless All men are at home. The crazy stable close at hand, With shaking timber and shifting sand, Grew a stronger thing to abide and stand Than the square stones of Rome. For men are homesick in their homes, And strangers under the sun, And they lay on their heads in a foreign land Whenever the day is done. Here we have battle and blazing eyes, And chance and honour and high surprise, But our homes are under miraculous skies Where the yule tale was begun. A Child in a foul stable, Where the beasts feed and foam; Only where He was homeless Are you and I at home; We have hands that fashion and heads that know, But our hearts we lost - how long ago! In a place no chart nor ship can show Under the sky's dome. This world is wild as an old wives' tale, And strange the plain things are, The earth is enough and the air is enough For our wonder and our war; But our rest is as far as the fire-drake swings And our peace is put in impossible things Where clashed and thundered unthinkable wings Round an incredible star. To an open house in the evening Home shall men come, To an older place than Eden And a taller town than Rome. To the end of the way of the wandering star, To the things that cannot be and that are, To the place where God was homeless And all men are at home.
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If grass grows and withers, it can only mean that it is part of a greater thing, which is even more real; not that the grass is less real than it looks. St. Thomas (Aquinas) has a really logical right to say, in the words of the modern mystic, A. E.: "I begin by the grass to be bound again to the Lord.
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Mrs. Joe was a very clean housekeeper, but had an exquisite art of making her cleanliness more uncomfortable and unacceptable than dirt itself.
topics: humourous  
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My life is passed in making bad jokes and seeing them turn into true prophecies.
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why should I seek to change, what has been so precious to me for so long! you can never show better than as your own natural self
topics: love  
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The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of Conservatives is to prevent mistakes from being corrected.
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There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.
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The most sacred thing is to be able to shut your own door.
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