Inspirational Quotes by G.K. Chesterton

“With a leer of mingled sweetness and slyness; with one eye on the future, one on the bride, and an arch expression in her face, partly spiritual, partly spirituous, and wholly professional and peculiar to her art; Mrs Gamp rummaged in her pocket again [...]”

“The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame: and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview.”

“Musisz pozwolić mi odejść w ciemność własną drogą.”

“Yes, sir,” said I; “him too; late of this parish.”

“Like will draw like.”

“I am speechless: what can I answer? I put hand on my mouth. I have said too much already; now I will speak no more.”

“I wear the chain I forged in life," replied the Ghost. "I made it link by link and yard by yard; I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you?”

“This, too, was myself. It seemed natural and human. In my eyes it bore a livelier image of the spirit, it seemed more express and single, than the imperfect and divided countenance I had been hitherto accustomed to call mine. And in so far I was doubtless right. I have observed that when I wore the semblance of Edward Hyde, none could come near to me at first without a visible misgiving of the flesh. This, as I take it, was because all human beings, as we meet them, are commingled out of good and evil: and Edward Hyde, alone in the ranks of mankind, was pure evil.”

“I was married then. I was the happiest of the happy." - Esther Summerson”

“I felt no repugnance- I knew I was wicked, ten times more wicked, and that thought both braced and delighted me.”

“Apart from such chaotic classics as these, my own taste in novel reading is one which I am prepared in a rather especial manner, not only to declare, but to defend. My taste is for the sensational novel, the detective story, the story about death, robbery and secret societies; a taste which I share in common with the bulk at least of the male population of this world. There was a time in my own melodramatic boyhood when I became quite fastidious in this respect. I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was. But we all lose a little of that fine edge of austerity and idealism which sharpened our spiritual standard in our youth. I have come to compromise with the tea-table and to be less insistent about the sofa. As long as a corpse or two turns up in the second, the third, nay even the fourth or fifth chapter, I make allowance for human weakness, and I ask no more. But a novel without any death in it is still to me a novel without any life in it. I admit that the very best of the tea-table novels are great art - for instance, Emma or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michelangelo might make a statue out of mud, and Jane Austen could make a novel out of tea - that much more contemptible substance. But on the whole I think that a tale about one man killing another man is more likely to have something in it than a tale in which, all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life.”

“There are some men who, living with the one object of enriching themselves, no matter by what means, and being perfectly conscious of the baseness and rascality of the means which they will use every day towards this end, affect nevertheless—even to themselves—a high tone of moral rectitude, and shake their heads and sigh over the depravity of the world. Some of the craftiest scoundrels that ever walked this earth, or rather—for walking implies, at least, an erect position and the bearing of a man—that ever crawled and crept through life by its dirtiest and narrowest ways, will gravely jot down in diaries the events of every day, and keep a regular debtor and creditor account with Heaven, which shall always show a floating balance in their own favour. Whether this is a gratuitous (the only gratuitous) part of the falsehood and trickery of such men's lives, or whether they really hope to cheat Heaven itself, and lay up treasure in the next world by the same process which has enabled them to lay up treasure in this—not to question how it is, so it is. And, doubtless, such book-keeping (like certain autobiographies which have enlightened the world) cannot fail to prove serviceable, in the one respect of sparing the recording Angel some time and labour.”

“We lose our bearings entirely by speaking of the ‘lower classes’ when we mean humanity minus ourselves.”

“Sin embargo, una cosa es mortificar la propia curiosidad y otra es vencerla”

“The dismal quarter of Soho seen under these changing glimpses, with its muddy ways, and slatternly passengers, and its lamps, which had never been extinguished or had been kindled afresh to combat this mournful reinvasion of darkness, seemed, in the lawyer's eyes, like a district of some city in a nightmare.”

“This present summer evening, as the sun goes down, the preparations are complete. Dreary and solemn the old house looks, with so many appliances of habitation and with no inhabitants except the pictured forms upon the walls. So did these come and go, a Dedlock in possession might have ruminated passing along; so did they see this gallery hushed and quiet, as I see it now; so think, as I think, of the gap that they would make in this domain when they were gone; so find it, as I find it, difficult to believe that it could be without them; so pass from my world, as I pass from theirs, now closing the reverberating door; so leave no blank to miss them, and so die.”

“Volumnia hastens to express her opinion that the shocking people ought to be tried as traitors, and made to support the Party.”

“Oh, yes, his family is all very fine, Miss Summerson,” replied Miss Jellyby; “but what comfort is his family to him? His family is nothing but bills, dirt, waste, noise, tumbles downstairs, confusion, and wretchedness. His scrambling home, from week’s end to week’s end, is like one great washing-day — only nothing’s washed!”

“There is something sinister about putting a leprechaun in a workhouse. The only solid comfort is that he certainly will not work.”

“    'It wasn't the wine,' murmured Mr. Snodgrass, in a broken voice. 'It was the salmon.' (Somehow or other, it never is the wine, in these cases.)”