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George MacDonald

George MacDonald

      George MacDonald was a Scottish author, poet, and Christian minister.

      Known particularly for his poignant fairy tales and fantasy novels, George MacDonald inspired many authors, such as W. H. Auden, J. R. R. Tolkien, C. S. Lewis, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence."

      Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.

      MacDonald grew up influenced by his Congregational Church, with an atmosphere of Calvinism. But MacDonald never felt comfortable with some aspects of Calvinist doctrine; indeed, legend has it that when the doctrine of predestination was first explained to him, he burst into tears (although assured that he was one of the elect). Later novels, such as Robert Falconer and Lilith, show a distaste for the idea that God's electing love is limited to some and denied to others.

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Who can give a man this, his own name?
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Ah, let a man beware, when his wishes, fulfilled, rain down upon him, and his happiness is unbounded.
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Perhaps the best thing for the princess would have been to fall in love. But how a princess who had no gravity could fall into anything is a difficulty–perhaps the difficulty.
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LADY ANNE: Villain, thou know'st nor law of God nor man: No beast so fierce but knows some touch of pity. RICHARD, DUKE OF GLOUCESTER: But I know none, and therefore am no beast. LADY ANNE: O wonderful, when devils tell the troth! RICHARD, DUKE OF GLOUCESTER: More wonderful, when angels are so angry.
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It would hardly be kindness if he didn't punish sin, not to use every means to put the evil thing far from us. Whatever may be meant by the place of misery Mr. Sutherland, it's only another form of his love. Love shining through the fogs of evil, and thus made to look very different.
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If man could do what in his wildest self-worship he can imagine, the grand result would be that he would be his own God, which is the Hell of Hells.
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Some dreams, some poems, some musical phrases, some pictures, wake feelings such as one never had before, new in colour and form—spiritual sensations, as it were, hitherto unproved
topics: dreams , music , spirit  
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It opened a little way, and a face came into the opening. It was Lona's. It's eyes were closed, but the face itself was upon me, and seemed to see me. It was as white as Eve's, white as Mara's, but did not shine like their faces. She spoke, and her voice was like a sleepy night-wind in the grass. "Are you coming, king?" it said. "I cannot rest until you are with me, gliding down the river to the great sea, and the beautiful dream-land. The sleepiness is full of lovely things: come and see them.
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All the days of my appointed time will I wait till my change come.
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A man must not choose his neighbor: he must take the neighbor that God sends him…. The neighbor is just the man who is next to you at the moment, the man with whom any business has brought you into contact.
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What a horror will it not be to a vile man…when his eyes are opened to see himself as the pure see him, as God sees him! Imagine such a man waking all at once, not only to see the eyes of the universe fixed upon him with loathing astonishment, but to see himself at the same moment as those eyes see him.
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Give every man thine ear, but few thy voice; Take each man's censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not expressed in fancy; rich, not gaudy; For the apparel oft proclaims the man.
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Existen más cosas entre el cielo y la tierra que las que sueñas en tu filosofía.
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What if this cursed hand were thicker than itself with brother's blood, is there not rain enough in the sweet heavens to wash it white as snow? Whereto serves mercy but to confront the visage of offense? And what's in prayer but this twofold force, to be forestalled ere we come to fall, or pardoned being down? Then I'll look up. My fault is past. But, O, what form of prayer can serve my tern? 'Forgive me my foul murder'?
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Love makes all safe.
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He had come to think that so long as a man wants to do right he may go where he can: when he can go no further, then it is not the way.
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They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
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But I don't quite understand, Father: is nobody your friend but the one that does something for you?
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What if I should look ugly without being bad - look ugly myself because I am making ugly things beautiful? - What then?
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I've not got much money, but I've got heaps of ideas.
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