Excerpt from �tudes sur la Litt�rature Fran�aise au Dix-Neuvi�me Si�cle, Vol. 2: Po�tes Lyriques Et Dramatiques
Ulysse avait �t�, de la part de M. Lebrun, un adieu � la trag�die classique; Marie Stuart, repr�sent�e en 1820, fut le manifeste, alors bien hardi, de la tra gedie romantique. Cette pi�ce repara�t, dans le pr�sent recueil, telle que le th��tre l'a consacr�e, et vingt - quatre ans ont pass� sur son front sans y lais ser presque aucune ride. Tout ce qui, alors, �tait nouveau dans cette pi�ce est rest� nouveau, tout ce qui �tait vieux est demeur� vieux: je ne d�signe sous ce mot qu'un petit nombre de lambeaux de phras�ologie classique. Si vous prenez l'ensemble de l'ouvrage, Hernani, jou� en est de plusieurs ann�es l'a�n� de Marie Stuart. Comme vous le voyez, il fait bon rester dans le vrai.
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Alexandre Vinet was born near Lausanne in Switzerland. Educated for the Protestant ministry, he was ordained in 1819, when already teacher of the French language and literature in the gymnasium at Basel; and throughout his life he was as much a critic as a theologian. His literary criticism brought him into contact with Augustin Sainte-Beuve, for whom he obtained an invitation to lecture at Lausanne, which led to his famous work on Port-Royal.
As a theologian Vinet gave a fresh impulse to Protestant theology, especially in French-speaking lands, but also in England and elsewhere. His philosophy relied strongly on conscience, defined as that by which man stands in direct personal relation with God as moral sovereign, and the seat of a moral individuality which nothing can rightly infringe.
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