“As to Mr Plornish, he had married these articles of belief in marrying Mr Nandy's daughter, and only wondered how it was that so gifted an old gentleman had not made a fortune. This he attributed, after much reflection, to his musical genius not having been scientifically developed in his youth. 'For why,' argued Mr Plornish, 'why go a-binding music when you've got it in yourself? That's where it is, I consider.' Old Nandy had a patron: one patron. He had a patron who in a certain sumptuous way—an apologetic way, as if he constantly took an admiring audience to witness that he really could”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.