“Besides, after our conversation you could either go or stay. If you stayed, then nothing would happen, I’d simply know, sir, that you didn’t want this business, and I wouldn’t undertake anything. But since you did go, it meant you were assuring me that you wouldn’t dare turn me over to the court and would forgive me the three thousand. And you wouldn’t be able to persecute me at all afterwards, because in that case I’d tell everything in court, sir, that is, not that I stole or killed—I wouldn’t say that—but that it was you who put me up to stealing and killing, only I didn’t agree. That’s why I needed your consent then, so that you couldn’t corner me with anything afterwards, sir, because where would you get any proof of that, but I could always corner you, sir, by revealing how much you desired your parent’s death, and I give you my word—the public would all believe me, and you’d be ashamed for the rest of your life.” “So I did, I did desire it, did I?” Ivan growled again. “You undoubtedly did, sir, and by your consent then you silently allowed me that business, sir,” Smerdyakov looked firmly at Ivan. He”
Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.