“But one dreadful day, somewhere about the middle of the nineteenth century, somebody discovered (somebody pretty well off) the two great modern truths, that washing is a virtue in the rich and therefore a duty in the poor. For a duty is a virtue that one can't do. And a virtue is generally a duty that one can do quite easily; like the bodily cleanliness of the upper classes. But in the public-school tradition of public life, soap has become creditable simply because it is pleasant. Baths are represented as a part of the decay of the Roman Empire; but the same baths are represented as part of the energy and rejuvenation of the British Empire. There are distinguished public school men, bishops, dons, headmasters, and high politicians, who, in the course of the eulogies which from time to time they pass upon themselves, have actually identified physical cleanliness with moral purity. They say (if I remember rightly) that a public-school man is clean inside and out. As if everyone did not know that while saints can afford to be dirty, seducers have to be clean. As if everyone did not know that the harlot must be clean, because it is her business to captivate, while the good wife may be dirty, because it is her business to clean. As if we did not all know that whenever God's thunder cracks above us, it is very likely indeed to find the simplest man in a muck cart and the most complex blackguard in a bath.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.