“I really believe that at the start of the journey the condemned man, sitting in the tumbril, must feel that an infinite life still stretches ahead of him. However, the houses roll by one by one, the tumbril rumbles on—oh, that's nothing, it's still a long way to the turning into the next street, and he continues to look keenly to the left and the right at the thousands of indifferently curious people with their eyes riveted upon him, and he continues vaguely to imagine that, like all of them, he is still a human being. But here's the turning into the next street! Never mind though, never mind, still a whole street to go. And no matter how many houses he passes, he still thinks: "There are still a lot of houses." And so to the very end, right up until they reach the town square.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.