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Fyodor Dostoevsky
I really believe that at the start of the journey the condemned man, sitting in the tumbril, must feel that an infinite life still stretches ahead of him. However, the houses roll by one by one, the tumbril rumbles on—oh, that's nothing, it's still a long way to the turning into the next street, and he continues to look keenly to the left and the right at the thousands of indifferently curious people with their eyes riveted upon him, and he continues vaguely to imagine that, like all of them, he is still a human being. But here's the turning into the next street! Never mind though, never mind, still a whole street to go. And no matter how many houses he passes, he still thinks: "There are still a lot of houses." And so to the very end, right up until they reach the town square.
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