“Imagine: inside, in the nerves, in the head―that is, these nerves are there in the brain... (damn them!) there are sort of little tails, the little tails of those nerves, and as soon as they begin quivering... that is, you see, I took at something with my eyes and begin quivering, those little tails... and when they quiver, then an image appears... it doesn't appear at once, but an instant, a second, passes... and then something like a moment appears; that is, not a moment―devil take the moment!―but an image; that is, an object, or an action, damn it! That's why I see and then think, because of those tails, not because I've got a soul, and that I am some sort of image and likeness. All that is nonsense! Rakitin explained it all to me yesterday, brother, and it simply bowled me over. It's magnificent, Alyosha, this science! A new man's arising―that I understand... And yet I am sorry to lose God!”
Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.