“In fact, there are two sorts of gaming--namely, the game of the gentleman and the game of the plebs--the game for gain, and the game of the herd. Herein, as said, I draw sharp distinctions. Yet how essentially base are the distinctions! For instance, a gentleman may stake, say, five or ten louis d’or--seldom more, unless he is a very rich man, when he may stake, say, a thousand francs; but, he must do this simply for the love of the game itself--simply for sport, simply in order to observe the process of winning or of losing, and, above all things, as a man who remains quite uninterested in the possibility of his issuing a winner. If he wins, he will be at liberty, perhaps, to give vent to a laugh, or to pass a remark on the circumstance to a bystander, or to stake again, or to double his stake; but, even this he must do solely out of curiosity, and for the pleasure of watching the play of chances and of calculations, and not because of any vulgar desire to win. In a word, he must look upon the gaming-table, upon roulette, and upon trente et quarante, as mere relaxations which have been arranged solely for his amusement. Of the existence of the lures and gains upon which the bank is founded and maintained he must profess to have not an inkling. Best of all, he ought to imagine his fellow-gamblers and the rest of the mob which stands trembling over a coin to be equally rich and gentlemanly with himself, and playing solely 14 for recreation and pleasure. This complete ignorance of the realities, this innocent view of mankind, is what, in my opinion, constitutes the truly aristocratic.”
Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.