“I’ve long wanted to meet you. Only it’s too bad we’ve met so sadly …” Kolya would have liked very much to say something even more ardent, more expansive, but something seemed to cramp him. Alyosha noticed it, smiled, and pressed his hand. “I’ve long learned to respect the rare person in you,” Kolya muttered again, faltering and becoming confused. “I’ve heard you are a mystic and were in the monastery. I know you are a mystic, but … that didn’t stop me. The touch of reality will cure you … With natures like yours, it can’t be otherwise.” “What do you mean by ‘a mystic’? Cure me of what?” Alyosha was a little surprised. “Well, God and all that.” “What, don’t you believe in God?” “On the contrary, I have nothing against God. Of course God is only a hypothesis … but … I admit, he is necessary, for the sake of order … for the order of the world and so on … and if there were no God, he would have to be invented,”1 Kolya added, beginning to blush. He suddenly fancied that Alyosha might be thinking he wanted to show off his knowledge and prove how “adult” he was. “And I don’t want to show off my knowledge at all,” Kolya thought indignantly. And he suddenly became quite vexed. “I’ll admit, I can’t stand entering into all these debates,” he snapped. “It’s possible to love mankind even without believing in God, don’t you think? Voltaire did not believe in God, but he loved mankind, didn’t he?” (“Again, again!” he thought to himself.) “Voltaire believed in God, but very little, it seems, and it seems he also loved mankind very little,” Alyosha said softly, restrainedly, and quite naturally, as if he were talking to someone of the same age or even older than himself. Kolya was struck precisely by Alyosha’s uncertainty, as it were, in his opinion of Voltaire, and that he seemed to leave it precisely up to him, little Kolya, to resolve the question.”
Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.