“My Russian liberal goes so far as to reject Russia herself, that is, he hates and strikes his own mother. Every misfortune and mishap of the mother country fills him with mirth, and even with joy and ecstasy. “He hates the national customs, Russian history, and so on. If he has a justification it is in the fact that he does not know what he is doing, and believes that his hatred of Russia is the grandest and most profitable kind of liberalism. (You will often find a liberal here who is applauded and esteemed by the others his fellows, but who is in reality the dreariest, blindest, dullest of conservatives, and is not aware of the fact.) This hatred for Russia has been mistaken by some of our ‘Russian liberals’ for sincere love for the fatherland, and they boast that they see better than their neighbours what real love for their fatherland should consist in. But of late they have grown more candid and are ashamed of the expression ‘love of country,’ and have annihilated and talked down the very spirit of the words as something injurious and petty and undignified.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.