“No, Rodion Romanovitch, Nikolay doesn't come in! This is a fantastic, gloomy business, a modern case, an incident of to-day when the heart of man is troubled, when the phrase is quoted that blood 'renews,' when comfort is preached as the aim of life. Here we have bookish dreams, a heart unhinged by theories. Here we see resolution in the first stage, but resolution of a special kind: he resolved to do it like jumping over a precipice or from a bell tower and his legs shook as he went to the crime. He forgot to shut the door after him, and murdered two people for a theory. He committed the murder and couldn't take the money, and what he did manage to snatch up he hid under a stone. It wasn't enough for him to suffer agony behind the door while they battered at the door and rung the bell, no, he had to go to the empty lodging, half delirious, to recall the bell-ringing,”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.