“Of course, she won’t figure it out,’ Pyotr Stepanovich responded like a perfect fool, ‘because legally, you see… Oh, you! And what if she did figure it out! All this kind of thing is so easily erased from the minds of women; you don’t know women yet! Besides, it’s to her full advantage to marry you because she’s the one who’s disgraced herself; and besides, I was the one who gave her all that stuff about the “barque”: I saw right away that one could have an effect on her with the “barque” business, and so that’s the calibre of girl she is. Don’t worry, she’ll step across those bodies tra-la-la, the more so since you’re completely, completely innocent, isn’t that so? Except that she’ll save up those corpses to needle you with later on, maybe in the second year of your marriage. Every woman, when she goes to the altar, stores up something of this sort from her husband’s past, but then, you know — what can happen in a year or so? Ha, ha, ha!”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.