“Stop, or I’ll shoot!” cried the soldier. The fugitive, without stopping, turned his head and called out something evidently abusive or blasphemous. “Damn you!” shouted the soldier, who put one foot a little forward and stopped, after which, bending his head over his rifle, and raising his right hand, he rapidly adjusted something, took aim, and, pointing the gun in the direction of the fugitive, probably fired, although no sound was heard. “Smokeless powder, no doubt,” thought the young Tsar, and looking after the fleeing man saw him take a few hurried steps, and bending lower and lower, fall to the ground and crawl on his hands and knees. At last he remained lying and did not move. The other fugitive, who was ahead of him, turned around and ran back to the man who was lying on the ground. He did something for him and then resumed his flight. “What does all this mean?” asked the Tsar. “These are the guards on the frontier, enforcing the revenue laws. That man was killed to protect the revenues of the State.” “Has he actually been killed?”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.