“The air grew colder, as day came slowly on; and the mist rolled along the ground like a dense cloud of smoke. The grass was wet; the pathways, and low places, were all mire and water; the damp breath of an unwholesome wind went languidly by, with a hollow moaning. Still, Oliver lay motionless and insensible on the spot where Sikes had left him. Morning drew on apace. The air become more sharp and piercing, as its first dull hue—the death of night, rather than the birth of day—glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.