“The elder Zosima died!” Grushenka exclaimed. “Oh, Lord, I didn’t know!” She crossed herself piously. “Lord, but what am I doing now, sitting on his lap!” She suddenly gave a start as if in fright, jumped off his knees at once, and sat down on the sofa. Alyosha gave her a long, surprised look, and something seemed to light up in his face. “Rakitin,” he suddenly said loudly and firmly, “don’t taunt me with having rebelled against my God. I don’t want to hold any anger against you, and therefore you be kinder, too. I’ve lost such a treasure as you never had, and you cannot judge me now. You’d do better to look here, at her: did you see how she spared me? I came here looking for a wicked soul—I was drawn to that, because I was low and wicked myself, but I found a true sister, I found a treasure—a loving soul … She spared me just now … I’m speaking of you, Agrafena Alexandrovna. You restored my soul just now.” Alyosha was breathless and his lips began to tremble. He stopped. “Really saved you, did”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.