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George MacDonald
The grandeur of the poem is that Job pleads his cause with God against all the remonstrance of religious authority, recognizing no one but God, and justified therein. And the grandest of all is this, that he implies, if he does not actually say, that God owes something to his creature. This is the beginning of the greatest discovery of all—that God owes himself to the creature he has made in his image, for so he has made him incapable of living without him. This, his creatures' highest claim upon him, is his divinest gift to them. For the fulfilling of this their claim he has sent his son, that he may himself, the father of him and of us, follow into our hearts. Perhaps the worst thing in a theology constructed out of man's dull possible, and not out of the being and deeds and words of Jesus Christ, is the impression it conveys throughout that God acknowledges no such obligation. Are not we the clay, and he the potter? how can the clay claim from the potter? We are the clay, it is true, but his clay, but spiritual clay, live clay, with needs and desires—and rights; we are clay, but clay worth the Son of God's dying for, that it might learn to consent to be shaped unto honour. We can have no merits—a merit is a thing impossible; but God has given us rights. Out of him we have nothing; but, created by him, come forth from him, we have even rights towards him—ah, never, never against him! his whole desire and labour is to make us capable of claiming, and induce us to claim of him the things whose rights he bestowed in creating us. No claim had we to be created: that involves an absurdity; but, being made, we have claims on him who made us: our needs are our claims. A man who will not provide for the hunger of his child, is condemned by the whole world.
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