“The poor man is exacting. He cannot see God’s world as it is, but eyes each passer-by askance, and looks around him uneasily in order that he may listen to every word that is being uttered. May not people be talking of him? How is it that he is so unsightly? What is he feeling at all? What sort of figure is he cutting on the one side or on the other? It is matter of common knowledge, my Barbara, that the poor man ranks lower than a rag, and will never earn the respect of any one. Yes, write about him as you like — let scribblers say what they choose about him — he will ever remain as he was. And why is this? It is because, from his very nature, the poor man has to wear his feelings on his sleeve, so that nothing about him is sacred, and as for his self-respect —”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.