“The sort of interest with which this man was stared and breathed at, was not a sort that elevated humanity. Had he stood in peril of a less horrible sentence--had there been a chance of any one of its savage details being spared--by just so much would he have lost in his fascination. The form that was to be doomed to be so shamefully mangled, was the sight; the immortal creature that was to be so butchered and torn asunder, yielded the sensation. Whatever gloss the various spectators put upon the interest, according to their several arts and powers of self-deceit, the interest was, at the root of it, Ogreish.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.