“The study was slowly lit up as the candle was brought in. The familiar details came out: the stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray, a manuscript-book with his handwriting. As he saw all this, there came over him for an instant a doubt of the possibility of arranging this new life, of which he had been dreaming on the road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going to get away from us, and you're not going to be different, but you're going to be the same as you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to amend, and falls, and everlasting expectations, of a happiness which you won't get, and which isn't possible for you.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.