“There is a remarkable picture called 'Contemplation.' It shows a forest in winter and on a roadway through the forest, in absolute solitude, stands a peasant in a torn kaftan and bark shoes. he stands, as it were, lost in thought. Yet he is not thinking: he is "contemplating." If anyone touched him he would start and look bewildered. It's true he would come to himself immediately; but if he were asked what he had been thinking about, he would remember nothing. Yet probably he has hidden within himself, the impression which dominated him during that period of contemplation. Those impressions are dear to him and he probably hoards them imperceptibly, and even unconsciously. How and why, of course, he does not know. He may suddenly, after hoarding impressions for many years, abandon everything and go off to Jerusalem on a pilgrimage. Or he may suddenly set fire to his native village. Or he may do both.”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.