“This,’ answered Ezza gravely, ‘is not the costume of an Englishman, but of the Italian of the future.’ ‘In that case,’ remarked Muscari, ‘I confess I prefer the Italian of the past.’ ‘That is your old mistake, Muscari,’ said the man in tweeds, shaking his head; ‘and the mistake of Italy. In the sixteenth century we Tuscans made the morning: we had the newest steel, the newest carving, the newest chemistry. Why should we not now have the newest factories, the newest motors, the newest finance – and the newest clothes?’ ‘Because they are not worth having,’ answered Muscari. ‘You cannot make Italians really progressive; they are too intelligent. Men who see the short cut to good living will never go by the new elaborate roads.”
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Gilbert Keith Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.