“To begin with, he was struck by the idea that the comprehension of divine truths is not given to man as an individual but to the totality of men united by love--the church. He was particularly pleased by the thought that it was much easier to believe in an existing, living church embracing all the beliefs of men and having God as its head and, therefore, holy and infallible, and from it to accept belief in God, the creation, the fall and redemption, than to begin with some distant mysterious God, the creation, etc. But on reading afterward the history of the church by a Catholic writer and another by a Greek Orthodox writer and seeing that the two churches, both in their essence infallible, each repudiated the other, he became disappointed also in Khomyakov's doctrine of the church, and that edifice, too, crumbled into dust as the philosophers' edifices had done.”
Be the first to react on this!
Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.