“Zamyotov.” “Zamyotov?… The clerk?… What for?” Raskolnikov quickly turned and fixed his eyes on Razumikhin. “But what’s wrong with … Why be so worried? He wanted to make your acquaintance; he wanted it himself, because I talked about you a lot with him … Otherwise, who would have told me so much about you? He’s a nice fellow, brother, quite a wonderful one … in his own way, naturally. We’re friends now; we see each other almost every day. Because I’ve moved into this neighborhood. You didn’t know yet? I’ve just moved. We’ve called on Laviza twice. Remember Laviza, Laviza Ivanovna?” “Was I raving about something?” “Sure enough! You were out of your mind, sir.” “What did I rave about?” “Come now! What did he rave about? You know what people rave about … Well, brother, let’s not waste any more time. To business!” He got up from his chair and grabbed his cap. “What did I rave about?” “You just won’t let go! Afraid about some secret, are you? Don’t worry, you didn’t say anything about the countess. But about some bulldog, and about”
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Fyodor Mikhaylovich Dostoyevsky was a Russian writer, essayist and philosopher, perhaps most recognized today for his novels Crime and Punishment and The Brothers Karamazov.
Dostoyevsky's literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man", was called by Walter Kaufmann the "best overture for existentialism ever written."
His tombstone reads "Verily, Verily, I say unto you, Except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." from John 12:24, which is also the epigraph of his final novel, The Brothers Karamazov.