Inspirational Quotes by George MacDonald

“you understood any world besides your own, you would understand your own much better.—When a heart is really alive, then it is able to think live things. There is one heart all whose thoughts are strong, happy creatures, and whose very dreams are lives. When some pray, they lift heavy thoughts from the ground, only to drop them on it again; others send up their prayers in living shapes, this or that, the nearest likeness to each. All live things were thoughts to begin with, and are fit therefore to be used by those that think. When one says to the great Thinker:—‘Here is one of thy thoughts: I am thinking it now!’ that is a prayer—a word to the big heart”

“LADY ANNE: What, do you tremble? Are you all afraid? Alas, I blame you not, for you are mortal, And mortal eyes cannot endure the devil.—”

“A horse! a horse! my kingdom for a horse! -King Richard, from Richard III”

“Come, my spade; there is no ancient gentlemen but gardeners, ditchers, and gravemakers; they hold up Adam's profession.”

“Если теперь, так, значит, не потом; если не потом, так, значит, теперь; если не теперь, то все равно когда-нибудь; готовность — это все”

“...[T]wo of you can be no match for the three giants, I will find you, if I can, a third brother, who will take on himself the third share of the fight, and the preparation...I will show him to you in a glass, and, when he comes, you will know him at once. If he will share your endeavors, you must teach him all you know, and he will repay you well, in present song, and in future deeds.' She opened the door of a curious old cabinet that stood in the room. On the inside of this door was an oval convex mirror...we at length saw reflected the place where we stood, and the old dame seated in her chair...at the feet of the dame lay a young man...weeping. 'Surely this youth will not serve our ends,' said I, 'for he weeps.' The old woman smiled. 'Past tears are present strength,'said she.”

“A ghost grew out of the shadowy air, And sat in the midst of her moony hair. In her gleamy hair she sat and wept; In the dreamful moon they lay and slept; The shadows above, and the bodies below, Lay and slept in the moonbeams slow. And she sang, like the moan of an autumn wind Over the stubble left behind.”

“Then I remembered that night is the fairies’ day, and the moon their sun; and I thought—Everything sleeps and dreams now: when the night comes, it will be different.”

“Sweet sounds can go where kisses may not enter.”

“It may even be one of the greatest arts; for it produces works which give us (at the first meeting) as much delight and (on prolonged acquaintance) as much wisdom and strength as the works of the greatest poets. It is in some ways more akin to music than to poetry or at least to most poetry. It goes beyond the expression of things we have already felt. It arouses in us sensations we have never had before, never anticipated having, as though we had broken out of our normal mode of consciousness and 'possessed joys not promised to our birth.' It gets under our skin, hits us at a level deeper than our thoughts or even our passions, troubles oldest certainties till all questions are re-opened, and in general shocks us more fully awake than we are for most of our lives. It was in this mythopoeic art that MacDonald excelled.”

“Great stems rose about me, uplifting a thick multitudinous roof above me of branches, and twigs, and leaves-- the bird and insect world uplifted over mine, with its own landscapes, its own thickets, and paths, and glades, and dwellings; its own bird-ways and insect-delights. Great boughs crossed my path; great roots based the tree-columns, and mightily clasped the earth, strong to lift and strong to uphold. It seemed an old, old forest, perfect in forest ways and pleasure. And when, in the midst of this ectasy, I remembered that under some close canopy of leaves, by some giant stem, or in some mossy cave, or beside some leafy well, sat the lady of marble, whom my songs had called forth into the outer world, waiting (might it not be?) to meet and thank her deliverer in a twilight which would veil her confusion, the whole night became one dream-realm of joy, the central form of which was everywhere present, although unbeheld. Then, remembering how my songs seemed to have called her form the marble, piercing through the pearly shroud of alabaster -- "Why," thought I, "should not my voice reach her now, through the ebon night that inwraps her." My voice burst into song so spontaneously that it seemed involuntarily:”

“And Summer, dear Summer, hath years of June, With large white clouds, and cool showers at noon; And a beauty that grows to a weight like grief, Till a burst of tears is the heart’s relief.”

“If you will have Jesus, He has you already.”

“Never make a Christ out of your faith, nor think of as if it were the independent source of your salvation. Our life is found in “looking unto Jesus,” not in looking to our own faith. By faith all things become possible to us; yet the power is not in the faith, but in the God upon whom faith relies.”

“The heavens and the earth are around us that it may be possible for us to speak of the unseen by the seen, for the outermost husk of creation has correspondence with the deepest things of the Creator. He is not a God that hides himself, but a God who made all that he might reveal himself.”

“A man might flatter, or bribe, or coax a tyrant; but there is no refuge from the love of God; that love will, for very love, insist upon the uttermost farthing.”

“KING RICHARD. I have learn'd that fearful commenting Is leaden servitor to dull delay; Delay leads impotent and snail-pac'd beggary. Then fiery expedition be my wing, Jove's Mercury, and herald for a king! Go, muster men. My counsel is my shield. We must be brief when traitors brave the field.”

“Twilight-kind, oppressing the heart as with a condensed atmosphere of dreamy undefined love and longing.”

“With a fiction it was the same. Mine was the whole story. For I took the place of the character who was most like myself, and his story was mine; until, grown weary with the life of years condensed in an hour, or arrived at my deathbed, or the end of the volume, I would awake, with a sudden bewilderment, to the consciousness of my present life, recognising the walls and roof around me, and finding I joyed or sorrowed only in a book.”

“But is it not rather that art rescues nature from the weary and sated regards of our senses, and the degrading injustice of our anxious everyday life, and, appealing to the imagination, which dwells apart, reveals Nature in some degree as she really is, and as she represents herself to the eye of the child, whose everyday life, fearless and unambitious, meets the true import of the wonder-teeming world around him, and rejoices therein without questioning?”