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George MacDonald

George MacDonald

      George MacDonald was a Scottish author, poet, and Christian minister.

      Known particularly for his poignant fairy tales and fantasy novels, George MacDonald inspired many authors, such as W. H. Auden, J. R. R. Tolkien, C. S. Lewis, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence."

      Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.

      MacDonald grew up influenced by his Congregational Church, with an atmosphere of Calvinism. But MacDonald never felt comfortable with some aspects of Calvinist doctrine; indeed, legend has it that when the doctrine of predestination was first explained to him, he burst into tears (although assured that he was one of the elect). Later novels, such as Robert Falconer and Lilith, show a distaste for the idea that God's electing love is limited to some and denied to others.

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the road to the next duty is the only straight one,
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But he remembered that even if she did box his ears, he musn't box hers again, for she was a girl, and all that boys must do, if girls are rude, is to go away and leave them.
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You see when he forgot his Self his mother took care of his Self, and loved and praised his Self. Our own praises poison our Selves, and puff and swell them up, till they lose all shape and beauty, and become like great toadstools. But the praises of father or mother do our Selves good, and comfort them and make them beautiful. They never do them any harm. If they do any harm, it comes of our mixing some of our own praises with them, and that turns them nasty and slimy and poisonous.
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Marry, this is miching mal hecho. It means mischief!
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O fuck.
topics: hamlet  
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Afflictions are but the shadow of His wings.
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I must accept my fate! But how was life to be lived in a world of which I had all the laws to learn? There would, however, be adventure! that held consolation; and whether I found my way home or not, I should at least have the rare advantage of knowing two worlds!
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If you know you are yourself, you know that you are not somebody else; but do you know that you are yourself? Are
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You allowed me existence, which is the sum of what one can demand of his fellow-beings
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Now and then, when I look round on my books, they seem to waver as if a wind rippled their solid mass, and another world were about to break through.
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I must do what I can to make myself intelligible to you. Our natures, however, are so different, that this may not be easy. Men and women live but to die; we, that is such as I-we are but a few-live to live on. Old age is to you a horror; to me it is a dear desire: the older we grow, the nearer we are to our perfection. Your perfection is a poor thing, comes soon, and lasts but a little while; ours is a ceaseless ripening. I am not yet ripe, and have lived thousands of your years-how many, I never cared to note. The everlasting will not be measured.
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Not for a moment had I been afraid. It is true that whoever would cross the threshold of any world, must leave fear behind him; but, for myself, I could claim no part in its absence. No conscious courage was operant in me; simply, I was not afraid. I neither knew why I was not afraid, nor wherefore I might have been afraid. I feared not even fear—which of all dangers is the most dangerous.
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you understood any world besides your own, you would understand your own much better.—When a heart is really alive, then it is able to think live things. There is one heart all whose thoughts are strong, happy creatures, and whose very dreams are lives. When some pray, they lift heavy thoughts from the ground, only to drop them on it again; others send up their prayers in living shapes, this or that, the nearest likeness to each. All live things were thoughts to begin with, and are fit therefore to be used by those that think. When one says to the great Thinker:—‘Here is one of thy thoughts: I am thinking it now!’ that is a prayer—a word to the big heart
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HAMLET: "O God, I could be bounded in a nutshell, and count myself a king of infinite space, were it not that I have bad dreams." GUILDENSTERN: "Which dreams, indeed, are ambition; for the very substance of the ambitious is merely the shadow of a dream.
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Put plainly, there is a natural moral law, existing in reality, i.e., not invented by man, which transcends and trumps our desires. Something is right or wrong, whether we like it or not.
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Thy will be done. I yield up everything. 'The life is more than meat' -- then more than health; 'The body more than raiment' -- then more than wealth; The hairs I made not, thou art numbering. Thou art my life--I the brook, thou the spring. Because thine eyes are open, I can see; Because thou art thyself, 'tis therefore I am me.
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Sweet sounds can go where kisses may not enter.
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The time is out of joint. O cursed spite,        That ever I was born to set it right! [190]        Nay,
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Great stems rose about me, uplifting a thick multitudinous roof above me of branches, and twigs, and leaves-- the bird and insect world uplifted over mine, with its own landscapes, its own thickets, and paths, and glades, and dwellings; its own bird-ways and insect-delights. Great boughs crossed my path; great roots based the tree-columns, and mightily clasped the earth, strong to lift and strong to uphold. It seemed an old, old forest, perfect in forest ways and pleasure. And when, in the midst of this ectasy, I remembered that under some close canopy of leaves, by some giant stem, or in some mossy cave, or beside some leafy well, sat the lady of marble, whom my songs had called forth into the outer world, waiting (might it not be?) to meet and thank her deliverer in a twilight which would veil her confusion, the whole night became one dream-realm of joy, the central form of which was everywhere present, although unbeheld. Then, remembering how my songs seemed to have called her form the marble, piercing through the pearly shroud of alabaster -- "Why," thought I, "should not my voice reach her now, through the ebon night that inwraps her." My voice burst into song so spontaneously that it seemed involuntarily:
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And Summer, dear Summer, hath years of June, With large white clouds, and cool showers at noon; And a beauty that grows to a weight like grief, Till a burst of tears is the heart’s relief.
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